The good news is that I absolutely LOVE my new hometown! Albuquerque, New Mexico, a city of just under 1million people, ranks #6 out of the top 25 big cities in the U.S. for culture. Who knew? And during the summer months, live music bursts at the seams here like an overfed Prairie Dog! At the Albuquerque Museum of Art, there’s Salsa Under the Stars on Friday nights, and the New Mexico Jazz Workshop hosts Jazz & Blues Under the Stars on Saturdays. In Old Town Square, you can find free concerts most days of virtually every musical genre (except Rap). I especially love the Native American concerts (never got that in L.A.). The Outpost Performance Space reins on Thursday nights with jazz, spoken word and other artistic performances. In addition, the Outpost collaborates with the cities of Albuquerque and Santa Fe to coordinate the TWO-WEEK LONG New Mexico Jazz Festival, a truly glorious spectacle of concerts and activities bouncing back and forth between the two metropolises! Not to be outdone, the ABQ Zoo and Biopark have their own weekly festivities, the city sponsors street fairs galore, and the number of clubs and restaurants in Old Town, Downtown and Nob Hill offering live jazz far exceed anything happening in L.A.
All good so far, right? Right… Now the bad news: unbeknownst to this performer, in order to get in on all this crazy good summer concert action, I should have submitted myself for consideration last winter, as these Burquenos (there’s a new word for you – look it up) don’t play about 3 things: (1) Green Chile (even I’m addicted now), (2) their music, and (3) their concert schedules, which are basically finalized by the beginning of the year. WTH?! So this unfortunate former Angelino (hey, I know what Christmas in New Mexico means now [once again, look it up], so I’m officially a New Mexican) is SOL. You live and learn…
So what’s a girl to do? Get in where I fit in! I’ve signed up to volunteer for the New Mexico Jazz Workshop, the Outpost Performance Space and my local AFM/American Federation of Musicians (of which I am a proud member). No one loses here: I’ll be able to get all kinds of face time with decision makers, while helping out at different functions (umm, concerts), positioning me to make invaluable connections with even more movers and shakers. Check and checkmate… The thing is, sometimes to get a lot you have to give a little. It’s NEVER a waste of your time to help others, and if in the process you help yourself, well, that‘s a little something I like to call “gravy.”
And then there’s this: I was given a golden opportunity this week that I would have had to kill for in Los Angeles. One of my Facebook friends is the Editor in Chief of Smooth Jazz magazine. At the end of some lively “chatting” about all the jazz happening here in the Land of Enchantment (like everyone else, he had nooo idea), he asked if I’d like to contribute to the magazine, and do concert reviews of the major jazz artists coming to Albuquerque & Santa Fe. Uh, Yeah! Now understand something; before moving to Albuquerque, I worked for 9 years as the executive assistant to the VP/Editor in Chief of 2 national women’s magazines at Weider Publications (home to Shape, Muscle & Fitness, Flex, Arnold Swatzneggar, Dwayne “The Rock” Johnson…you get the idea, and yes, I’ve met them both.) But aside from songwriting and my blog, it never occurred to me that I would someday actually “write” for a magazine. My first assignment? A concert review AND interview with jazz guitarist extraordinaire, Earl Klugh! I’ve been a fan of his FOREVER — and I still have the vinyl to prove it! But if you’d told me a week ago that I’d be writing for Smooth Jazz magazine, I would have called you crazy! Well, here I am, still looking for the smelling salts…
By creating my own opportunities, I’ve allowed opportunities to find me as well. Kind of Karmic, huh?
Let me know how you’re making it in the music industry. I’d love to hear your story!
Until next time,
Much love… Tracey
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